Author Spotlight:

Myspace: http://www.myspace.com/emilybryanromance or http://www.myspace.com/dianagroe
Website: http://www.emilybryan.com or http://www.dianagroe.com
A Blue Blog: http://www.emilybryan.wordpress.com

Bio: Emily Bryan & Diana Groe—Two Names that Mean Romance


I’ve been an avid reader since I could hold a book. In 2001, I started writing my own stories. In May 2006, my debut novel, MAIDENSONG, was published by Leisure Books under my real name, Diana Groe. ERINSONG followed in November 2006 and SILK DREAMS in July 2007. These are epic, dramatic tales—full of passion and angst in exotic settings.

When I wrote DISTRACTING THE DUCHESS, its light-hearted and frankly sexier style was such a departure from the first three books, my editor suggested a different penname. Emily Bryan was born. Look for PLEASURING THE PIRATE to sail into your local bookstore this August, just in time to be the ultimate beach read! A third Emily Bryan romance is due out in spring 2009. Light or dark, serious or silly—we need equal portions of laughter and tears to stay balanced. I hope you make room on your bookshelves for both my incarnations.


“Writing as Emily Bryan, Diana Groe gives readers a sexy, fast-paced romp that will appeal to fans of Cheryl Holt, Lisa Kleypas and Celeste Bradley.”—RT BookReviews

“ This book had me hooked from the first sentence, "I'm going to have to shorten his willie." I dare anyone to try to not read on after seeing those words.”—Barbara Vey, Beyond her Book

“Bryan has a great handle on the material and her characters, creating a charming, colorful story with an intricate, fast-paced story line.”—Publishers Weekly


About Diana/Emily: Award-winning author Diana Groe (aka Emily Bryan) learned much of what she knows about writing from singing. A classically trained soprano, she gleaned the elements of dramatic storytelling while performing operatic roles. She and her husband have lived in nine different states, but she now makes her home in the heart of New England. Diana/Emily is available for signings, readings and writing workshops. To schedule an event, please contact her at dianagroe@aol.com. For more, please visit www.dianagroe.com or www.emilybryan.com !


Title: DISTRACTING THE DUCHESS
Buy Link:
http://search.barnesandnoble.com/booksearch/isbnInquiry.asp?z=y&EAN=9780843958706&itm=1

Blurb: From the moment she saw the man on her doorstep, Lady Artemisia, Duchess of Southwycke, wanted him naked. For once, she’d have the perfect model for her latest painting. But as he bared each bit of delicious golden skin from his broad chest down to his—oh, my!—art became the last thing on her mind.

Trevelyn Deveridge was looking for information, not a job. Though if a brash, beautiful widow demanded he strip, he wasn’t one to say no. Especially if it meant he could get closer to finding the true identity of an enigmatic international operative with ties to her family. But as the intrigue deepened and the seduction sweetened, Trev found he’d gone well beyond his original mission of . . . DISTRACTING THE DUCHESS.


Excerpt: (From Chapter Nine in which in the interest of fairness, our hero has convinced our heroine to pose nude for HIM! Please note: Artemisia doesn’t know Trev’s real name yet. He’s going by the alias Thomas Doverspike.)



He withdrew from the small room and left her to face her fear. She lifted her chemise over her head and lowered her drawers. What would he think when he saw her? She wished suddenly she provided a mirror for her models. She longed to check for imperfections.

She looked down at herself. Her nipples were at full alert and if she slipped a hand over her slightly rounded belly to the dark curls at the apex of her legs she suspected she’d find them damp. Her heart pounded and she felt an answering throb in her groin.

Really, this was the most outrageous thing she’d ever done, she decided. She didn’t have to go through with it. All she need do was slip back into her drawers and chemise and call for Mr. Doverspike to re-lace her stays.

But then he’d know her for a coward and a hypocrite. How could she expect her models to do something in the name of art she was unwilling to do herself?

Artemisia took down the second robe from its peg and slid her arms into the capacious sleeves. She pulled it tight around her, the feel of velvet against her bare skin a surprise. She’d worn any number of velvet gowns before, but with all the layers of undergarments—drawers, chemise, corset, petticoats, crinolines, the soft fabric barely touched her skin and certainly not in such intimate places. The texture rubbing against her naked bottom was positively decadent, like a million tiny fingers brushing her skin. She decided she liked it.

“Do you require further assistance, Your Grace?” Mr. Doverspike asked through the door.

“No, thank you,” she said, determined to brazen this out. She drew a deep breath and opened the door.

The look of surprise on his face was almost worth the back-flips her stomach was doing.

She padded to the center of the room. “Well, don’t stand there gaping. If you intend to draw me, you’ll need more than a handful of fingers. My sketchpad is yours and you’ll find fresh chalk in the top drawer of the little desk.”

He quickly retrieved the items and seated himself in her straight-backed chair, crossing one ankle over his knee to cradle the sketchbook. “Whenever you’re ready,” he said, one corner of his mouth twitching with a suppressed grin.

Then suddenly all the levity drained from his features and his eyes went darker. Artemisia felt the heat of his gaze even through the thick velvet. Surely he’d scorch her when his view was unfettered by the robe. She looked down, seemingly fascinated by the swirling grain in the dark hardwood, unable to meet his eyes. She fiddled with her lapels, inching the fabric off one shoulder. Anticipation rippled through her, but now that the moment had arrived, Artemisia wasn’t sure she could go through with it. She was just about to admit defeat when he cleared his throat.

“You haven’t asked how I want you,” he reminded her, his voice husky.

She looked up at him, realizing suddenly that he’d be the first man to see her in the nude. Her late husband’s pitiful poking exploration of her flesh was done in total darkness. Funny that this stranger should know her in a way the man whose name she bore never had.

“How do you want me?” she asked in a small voice.

His lips moved as if he started to say something, then thought better of it. “Turn around, facing away from me,” he finally said with gentleness. “It’ll be easier.”

She obeyed, her heart beating a furious tattoo on her ribcage. She forced herself to take a deep breath.

“Now, let the robe fall slowly from one shoulder. That’s good. A little more.”

The velvet brushed over her skin, followed by a breath of air as she bared her back to him. Down her spine, past the curve of her waist, the robe cut a diagonal across her figure as it fell to her wrist on the left side.

“Let the robe drop to your elbow on the right. Bend that arm and lift it slightly,” he suggested, his voice strangely tight.

He was draping her, she realized, as elegantly as any painter might arrange his subject, using the folds of fabric to create opposing lines and textures. Thomas Doverspike might claim not to be an artist, but he certainly had fine instincts for it.

The fabric dipped to expose her buttocks. Was that his sharp intake of breath she heard? Heat lightning raced over her skin, leaving her feeling warm and rosy. The top of her crevice tingled as she imagined his gaze exploring her derriere.

“Can you make a quarter turn?” he asked in a hoarse whisper.

“Like this?” she pivoted slightly, realizing he’d now see one of her breasts from that angle. The knowledge made her nipples pucker.

“Perfect,” he said with reverence.

Even though she knew he didn’t mean anything by it, Artemisia was inordinately pleased by his choice of the word. Perfect. She’d been called lewd and feckless and outrageous by people who didn’t understand her dedication to her art. No one had ever called her perfect. Her insides did a jig.

She turned her head to look over her shoulder at him.

“Yes, that’s it! Don’t move,” he said with excitement. His dark head bent over the sketchbook and the chalk scritched over the page. “You’re beautiful, Larla.”

Artemisia’s breath caught in her throat. She didn’t even mind his casual use of her milk name. It felt right. He found her beautiful.

She relaxed into his unabashed approval, enjoying the warmth radiating from her belly each time he looked up at her. The admiration in his gaze set her skin dancing as he followed the curve of her spine from her nape downward. When he focused on her bottom, she imagined the pale mounds must be pinking under his regard. Her nipples were drawn so tight, if she hadn’t been ordered to stand still she might have pressed her own palms against them to ease the ache.

So this is what it feels like, to be admired, to be accepted, to be beautiful and perfect in someone else’s eyes. To be a work of art.

Artemisia’s spirit soared. As she bared her body, she exposed her soul as well. She closed her eyes for a moment and felt herself fly free.

Suddenly she realized this was no longer about art. Perhaps it had never been about art. She wished she’d been brave enough to drop her robe for him head on. She wanted him to see her—all of her—to have his dark gaze search out all her secrets and pronounce them perfect and beautiful.

And not just his gaze. She wanted his touch. She could almost feel his hand, the way he’d slid it from her cheek when he kissed her, down her neck to the tops of her breasts. When his square capable fingers brushed her nipples, she thought she’d burst out of her skin. What if that hand continued trekking south, over her belly and into the patch of dark curls? Would he find her fair?

And his kiss. Her lips tingled to feel his mouth on them again. What if his lips wandered to other places?

She felt a growing moistness between her legs and scented a whiff of her own arousal, musky and sweet at the same time. Surely he must smell it as well. She gathered her courage and cleared her throat.

“When we are finished with the painting, I have another position in mind for you,” she said, surprised at the raggedness of her own voice. She opened her eyes and met his direct gaze.

“Really? What might that be? Something for Mr. Beddington perhaps?”

Bother his fixation with Beddington!

“No, this is something for me,” she said evenly.

“What do you need, Your Grace?”

She took a deep breath and jumped into the void. “I find I require a lover.”


End of excerpt: If you’d like a peek at the opening of DISTRACTING THE DUCHESS, please visit my website: http://www.emilybryan.com . Enjoy!